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Tim
Bowness & Peter Chilvers
have recorded a new album, titled california, norfolk which
Tim described as being:
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"an
extension of what the title track on World Of Bright Futures
hints at. It's heavily textured, quite intense music that
in addition to the usual piano and voice contributions, combines
cheaper than cheap drum machines, expensive brass samples
and strange synthetic processing. It's almost like a latter-day
miserablist singer-songwriter fooling around with early 1980's
synth-pop technology.
There
are elements of Blue Nile, Randy Newman, Steve
Reich, Arab Strap and Bowie/Eno creeping
in, but we think it's quite an original fusion of those influences."
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| 1. |
hostage |
| 2. |
california,
norfolk |
| 3. |
post-its |
| 4. |
chant
one |
| 5. |
also
out of air |
| 6. |
days
turn into years |
| 7. |
rocks
on the green |
| 8. |
winter
with you |
| 9, |
dreamer's
song |
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| All
tracks written by Bowness/Chilvers except chant one and also
out of air written by Bowness. |
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| california,
norfolk review |
| So
it's finally out. Described by Tim Bowness as being "an
extension of what the title track on World Of Bright Futures
hints at...", california, norfolk eclipses Tim
& Peter's work with Samuel Smiles, and is easily
the equal of no-man's returning jesus. |
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hostage
has been available on this site for some time, in mp3 form,
and hearing the crystal-clear CD version reminds you what
a touching song this really is. post-it's
sends shivers, one of the most moving descriptions of a relationship
gradually sliding into decline. No irony, no cheap shots,
just a bittersweet decay.
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Whilst
the album contains some of Tim's most moving vocals and some
of his most direct lyrics, Peter's contribution is immense.
All the music is so under-stated, placing the mood of the
songs perfectly. The carefully placed textures (such as the
crunching snow, turning to slush, footsteps on the elegant
winter with you), and the timeless, haunting piano,
coupled with aching strings, frame the album perfectly.
The
two part winter with you is almost a hybrid of the
better parts of the last Bjork album (ie pagan poetry)
mixed with side 2 of Kate Bush's hounds of love.
Yes, its that good. The album ends with the mood lifting,
the sun shining, on dreamer's song, which vastly improves
on the henry fool version released last year.
I
just pray that this album reaches a wide audience, and leads
to more Bowness / Chilvers music, as they've come up
with something so special, so intimate, on california,
norfolk. The equal of no-man's returning jesus
- or an even better album? You decide.
Tony
Kinson April 29th 2002
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hostage
is the most timeless and haunting song I have heard in a long while,
and sounds like the theme song to the best film (that's yet to be
made). Set to a backdrop of lush, heart-rending strings and
understated piano (and what sounds like a dinner party in the background?),
it makes you want to lie down in a scented room and cover yourself
with rose petals. Just make sure you pull the curtains shut.
In all seriousness, a tragic, beautiful song that I just can't get
out of my head.
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| days
turn into years
is the darker, more atmospheric of the two tracks, and more in keeping
with the mood of Tim & Peter's work with Samuel Smiles.
Minimal piano and electronics drive the melancholic lyrics, full of
unfulfilled fumbling, dingy bedsits and missed opportunities. This
is such a sad and lonely song.
I
thought this collaboration might lead to something special, but
I didn't expect the songs to sound THIS warm, and this good. But
don't take my word for it, download the tracks and see for yourself.
california, norfolk is destined to be a classic album.
The
album is available now from the
burning shed.
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| Many
thanks to Peter Chilvers for the pictures used on this page. |
| All
pictures © Brett Gilbert. |
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